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Diego Rivera
Nude
mk117
1944
157x124cm
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Diego Rivera
Dream
mk117
1947-1948
600cm
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Diego Rivera
Dream
mk117
1947-1948
High 600
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Diego Rivera
Process
mk117
1931-4
907x688cm
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Diego Rivera
Assets
mk117
1931
239x188cm
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Diego Rivera
Man universe,manipulator
mk117
1934
485x1146cm
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Diego Rivera
Man universe,manipulator
mk117
1934
485x1146cm
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Diego Rivera
Proletariate
mk117
1933
161.9x201.3cm
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Diego Rivera
Dunase and Dimase
mk117
1935
80x59.4cm
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Diego Rivera
Portrait
mk117
1945
123.3x62.4cm
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Diego Rivera
Portrait of Malin
mk117
1938
171.3x122.3cm
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Diego Rivera
Series of Flower
mk117
1941
122x122cm
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Diego Rivera
Series of Flower
mk117
1942
122x122cm
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Diego Rivera
The Feast of Flower
mk117
1931
199x162cm
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Diego Rivera
Sale Flowers
mk117
1943
150x119cm
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Diego Rivera
Root
mk117
1937
48.3x62cm
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Diego Rivera
Portrait of Natasha
mk117
1943
115x153cm
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Diego Rivera
Nude and flower
mk117
1943
152.4x116.8cm
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Diego Rivera
Squareman
mk117
1943
Oil on canvas
30x23
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Diego Rivera
Portrait of Lucy
mk117
1945
100.5x199cm
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| Diego Rivera
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Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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